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Following the White Rabbit through Deadwood part III

The arrival of the Olympian Hearst changed the vibrations of the camp entirely.   Within seconds of dismounting his stage coach in his first scene of the series, Hearst/Zeus bows his head to a swastika as Al watches on.  The swastika is camouflaged as a turning handle of some sort of device but it’s obvious that the creator/writers/directors wanted it to be known immediately that Hearst bowed his head to another higher power.  The swastika is a very old symbol that symbolizes the sun, eternal rotation, and the cyclical nature of the universe. The swastika may be the “whirlwind” that CY Toliver referred to while mocking “God” as he tried to blackmail Hearst during the second season finale?  Toliver walked outside in the next scene and a minister stabbed him in the gut while telling Toliver that “God is not mocked.”   Although the scene didn’t seem related on the base level, on the higher level we see that messing with Hearst in any way (and mocking him or his God) generally ends up not very good for the person(s) who does.

The swastika as a symbol of the deity is different than the Judeo-Christian tradition of the incorporeal spirit judge sitting at his thrown in judgment on the day one passes from the earth.  The swastika as a symbol of God is more like “the Force” in Star Wars. It’s the eternal aether in constant rotation. The more learned one is as an Adept of “the force” (and the universe’s mysteries) the more potentially powerful one is.   Hearst’s understanding of” the force” was usually a step ahead of Al (Satan) or Bullock. When Bullock approached Hearst with evidence of Hearst’s possible involvement in his worker’s deaths, Hearst turns the tables on the sheriff by having even better information on murders committed by Al. Hearst makes Al “awestruck” when Hearst’s Captain Turner forces Al into Hearst’s hotel by gunpoint without Al’s men knowing what was happening.  Hearst also sent Al a puzzle/diagram showing what his future actions were going to be but Al had to be smart enough to figure it out. This last idea has been covered by the White Rabbit when he discussed the idea of having to proclaim your intentions before carrying out a “magical act.”

The White Rabbit has discussed the “Olympians” and what may happen if they come back to earth.  The White Rabbit described their return as being “humbling” to their enemies on the other side of the pantheon (Lucifer, Loki, Hades, Lucifer, Al, Enki).  Al discovered this himself when dealing with Hearst in Deadwood.  The only weapon that Hearst carried was a hammer (like the hammer of Thor) and he took off Al’s middle finger with one hard smack when Satan (Al) refused to comply with Zeus’s (Hearst’s) orders.  Just as Al has a veranda over-watching the camp, Hearst makes his own viewing space by smashing a hole in the front of the Grand Central Hotel with a sledgehammer.  Hearst shows the town that he can set up anywhere he wants.

{I realize this situation facing humanity may sound “impossible” but is it any more “impossible” than what most Evangelical Christians believe?  How about the Matrix movie?  People speculate on that possibility   The White Rabbit speculates on another possibility for the human situation on this earth and one should be open minded enough to at least consider it.  These beings (Zeus, Satan), after thousands of years of being thought of as “incorporeal,” or as ghost-spirit beings with unlimited power, were/are more likely to be in-the-flesh beings with technology that may appear “magic” to those who observe it?}  

The character Hearst (Zeus) cannot be killed.  He sees through lies and attempts at deceiving him.  He has more raw power (technology) than his opponents in Deadwood (or earth), but he also has more powerful “magic” and “sight” compared to his opponents( he knew the “force” better).  The show’s writers/creator portray him as a sociopathic, murderous, ego driven maniac.  But you have to expect this with the creator, writers and producers for Deadwood.  This group is not likely to be very welcoming to the whole Father God and his Angles on the day of judgement crowd.  Deadwood is a tribute to The Devil/Lucifer/Hades/Enki.   Hearst is the “fascist” father authority figure that these type folks loathe greatly.

During the Bonus Features in the DVD (1) for Deadwood the cast, writers, producers and creator go on about how Hearst is a “monster,” “murderer,” and a “jerk.”   One of the directors during the bonus features laments about Hearst representing “big money.”  Meanwhile they talk of Al as having some sort of moral foundation.  The self-deception is remarkable with this group and is covered in detail in the work of Dr. Kevin MacDonald(2).  The team from Deadwood somehow can’t see the fact that Al was a “murderer,” “jerk,” and even a “monster” as well on the show.  Besides Mrs. Ellsworth, he’s also probably the wealthiest person in Deadwood?   Al was willing to kill Sophia (the little blond Norwegian girl), kill rivals, abuse women, kill partners (Tim Driscoll) and dispatch road agents.  When the director shrieks about Hearst threatening to destroy the town (like Gomorrah) “if he doesn’t get what he wants,” he appears to have forgotten that Al talked about burning the camp down in season I (the power of chutzpah is in full force with this director)?

In the real history of Deadwood Sheriff Bullock tries to buy votes in elections and was good friends with President Theodore Roosevelt. During the historical bonus features it was admitted that Hearst brought stability to the town for 25 years. I would also speculate that people within the Deadwood team probably have their own connections to “big money” or “big fraternal” or maybe to “big intelligence” themselves?  So trying to appear like champions of the “hoopleheads” (or somehow disgusted by powerful people) seems to me like less than a full verity?

This show of disgust towards Hearst as “big money,” “big authority, and “big father figure” (as said by the chutzpah-powered director) is a PRETEXT(3) for disgust directed towards the Sky/Father God himself.  Deadwood’s major programming purpose for the “hoopleheads” (the viewing masses) watching is to turn them against the Olympians who may be coming to earth to throw Satan into a pit of fire?   The White Rabbit has speculated that the globalist elites may try to get the earth’s people to fight the Olympians in a last attempt at saving themselves (or to take down everyone else with them as the Father God returns on the day of judgement?)?  This is why the Deadwood team is so negative on “Hearst.”  Their “God” is Lucifer/Enki/Satan (Al).  The Aryan Hero God is their worst fear and he may be coming to earth with his mighty hammer to smash the serpent’s snout?!  Just like in Deadwood, Satan and his Adepts (the Illuminati) have to decide how to try to deal with the coming of the Sun God.

During the Bonus features when the chutzpah-powered director was talking about Hearst, he says something like “and if you want a war, we’ll have a war.”  This was said from the camp’s point of view on the surface but actually was meant from the current globalist elite’s point of view and directed towards the Olympians, Nazis, and Germans who CURRENTLY threaten the Anglo-America-Judeo-Illuminati elite’s mission of bringing “Order out of Chaos” in the form of a New World Order (global government with Satan at the top of the pyramid and all of us profane/goyim/hoopleheads chiseled to fit as bricks in the pyramid wall).  Of course, these Illuminati types don’t really want a war with the Father God or the Nazis and Deadwood shows us how a possible future conflict between the God of Heaven and Satan may conclude?

Deadwood didn’t end with a big fight with Al’s side winning by some miracle shooting work from Johnny Burns or the like.  It ends with Satan and the Anglo-America-Judeo elite (Mrs. Ellsworth-Bollock-Star) giving in to Hearst by accepting that a war against the Father/Sky God in futile.  I thought this ending was very brave of the creator of Deadwood.  If this war between the Father Sky God (Hearst) and Satan-The Devil (Al) is truly happening, or is going to happen on this earth, then it is very possible that its conclusion will look like Deadwood’ s conclusion?   It may be over before it even begins (as said by the White Rabbit)? The Anglo-American-Judeo elite will have to give some blood (someone will have to stand at the bar of Justice…in Deadwood a whore was sacrificed) but a large war may be avoided if rational heads can prevail?  This writer hopes that Al (Satan) doesn’t burn the earth down himself because he “isn’t getting what he wants?”  This mission of building a global government has been underway for thousands of years.  Let’s hope that all their talk of “Justice” and “reason” and “logic” isn’t purely a nice sounding PRETEXT for building a New World Order?  Let’s hope they really  believe in “reason” and hope further that they can control their “murderous vanities” when mission failure looks final?

David Milch (the creator of Deadwood) did look truly depressed when talking about “the end” in Deadwood.  He gave a hint during the bonus feature (“The Meaning of Endings”) when he tells the viewer to “not wait to be told something pretty for what’s about to come.”  What is “about to come?” Was Mr. Milch using the show’s cancelation as PRETEXT for looking sad about “what’s about to come?”   What is “about to come” Mr. Milch?  If an Olympian or the God of heaven himself (Odin/Zeus/Enil) does come to earth (or his son Jesus/Thor/The Kalki), will Satan (The Devil), or any other God-like beings in his crew (his demons), or the Illuminati elites be able to just “clean up the blood stains and move forward?”  Will they be able to accept that “conclusions never really occur in something that never really concludes” (as said by David Milch in the bonus features)?  Or will they burn down this camp (Earth) in an egotistical rage over their mission’s failure?  We can only hope that Milch is accurate in his prophesies of the near future (as seen in Deadwood)?  As written above, the White Rabbit himself discussed this same point in that it “may be over before it even starts.”  Let’s hope they’re both right.  I highly recommend watching Deadwood but more importantly suggest that you Follow the White Rabbit (see my blog roll).

End of part III.  End of Deadwood review.  But I have much more to write about regarding Deadwood and other related subjects.  Look for these writings in the future and read snout smack’s past writings as well.

(1)

http://www.amazon.com/Deadwood-Complete-Series-Ian-McShane/dp/B001FA1OTU/ref=sr_1_4?ie=UTF8&qid=1338742917&sr=8-4

(2)

http://www.kevinmacdonald.net/books.htm

(3)

http://en.wikipedia.org/wiki/Pretext

Deadwood Bonus Commentary

https://systemssymbols.wordpress.com/2012/07/15/deadwood-bonus-commentary/

 

Following the White Rabbit through Deadwood part II

As I made clear in part I, Al is the most important character in the first two seasons of Deadwood.  It is critical that the reader understand the importance of Al.  During the Season I finale Al not only order’s a rival’s murder (by Silas Adams) but kills a minister out of mercy.  The minister was suffering from “fits” and most likely had a tumor in his brain.  In a remarkable sequence at the end of season one, the doctor is seen in his cabin praying to God to end the suffering of the minister.  Al is then seen suffocating the minister in the whore’s quarters at the Gem saloon after he agreed that the Gem could be used to care for the minister (after the doctor’s insistence).  Al brings the minister’s body back to the doctor and the doctor thanks “God” for answering his prayers.  Later, after the doctor performs a medical procedure on AL (for kidney stones) he collapses onto Al and thanks “God”  for “saving him.”

It was said during the bonus features that Melville claimed that the best scenes are about the exact opposite of what you think they’re about.  This method of scene creation was utilized throughout the series.  Sometimes the last sentence or word in a scene would be the meaning or theme of the subsequent scene. The student of Deadwood must watch every scene carefully to observe its esoteric narrative.  Watching Deadwood is like reading a complicated text in philosophy or literature , in that it requires an active participation and serious concentration.   However, like all mediums for learning the mysteries of the Universe, it only reveals what those who participate are ready to see and understand.  I will now cover some subthemes and other characters on the show.

Deadwood is full of interesting sub-themes.  Many of these sub-themes deal with human nature and human behavior.  The writers do an effective job at showing the imperfections and ironies of all the characters.  Al is shown giving ironic lectures to his whores on how life “is one vile task after another.”  This is ironic because the whores live this fact every day (literally!)?  Hypocrisy is written very cleverly into the story. I noticed many of the characters judging someone for an action and then blatantly committing these same acts later.

Another entertaining sub-theme is the relationship between superiors and their subordinates. Al would rebuke Mayor EB Farnum and later Farnum would abuse his cook & cleaning man Richardson.  Al would punch his loyal (but slow minded) subordinate (Johnny Burns) in the face and then Burns would get into the face of the saloon’s lowest ranking man “Davey.”

Vice, greed, human passions (anger, lust, Love), needs of the ego, fear, dishonesty, selfishness all were written about effectively in Deadwood. The writers/creator also have a good sense of humor but even the comedy could be esoteric at times. The character EB Farnum was a comedic character but also made many masonic hand signs and masonic utterances within a slapstick comedic pretext. I could write page after page on many of these subthemes.  For reasons of brevity (I’ll write more on all of these subjects in the future but not for this main review), I’ll discuss only one such sub-theme in more depth.  This is the subject of race and “racism.”

Most of the people in the camp called blacks “niggers” and Chinese “chinks” but this wasn’t necessarily a sign of “racism” as the modern unthinking American masses are socialized to understand the word. The most honorable people in the camp (Bullock,Charlie Utter, Doc Cochran, Calamity Jane (Jane cared for the sick people and animals)) were the most “tolerant” but some of these  same characters may have used the word “nigger” at some time during the series?  Al started relaxing his rule of making his Chinese partner walk through the back door of his Saloon.  When he was beating a man later in the show, one of his reasons for beating him was that he “scared that Chinese” with their horses.  The viewer is suppose to feel good as Satan is meting out justice on one of the racist men who knocked the Chinese guy in the mud.  After Bullock fought and killed an Indian that attacked him he’s seen later showing extreme remorse over the killing  in which he’s practically in tears.  He gets all “emo” over the terrible guilt he feels after insulting the Black livery owner “Hosteler,” when he shows little remorse over the other people he’s insulted or even beaten to near death.  Bullock also get righteous while stopping a group of white men from taring a black man. This scene was meant to shock and outrage the viewer at first when the whites were taring the black man but then feel relieved when “anti-racist” Bullock gets there to save him.  The major programming purpose of the subject of race in Deadwood is to convey that the most upright people were also the most “anti-racist.”     Jews (and other anti-Whites in Hollywood) like to present White Guilt and “anti-racism” (which is really just a code for anti-White) as the most positive qualities that a White gentile can have.

Of course at the same time, the most repulsive people in the camp were the most “racist.”  The coward Jack McCall was seen slanting his eyes at the Chinese in camp before shooting Wild Bill Hickok. The ugliest whore in the Gem Saloon (who mocked the handicapped minister) showed her displeasure regarding Chinamen walking through the saloon’s front door.  The scumbag opium addict who worked for Cy Toliver was an anti-Chinese agitator and murdered two Chinese men for neferous reasons.   One of the most repugnant characters was the character “Steve the drunk.”  Steve would go on long tirades about “the niggers” or “justice for the white man” and was styled as a Hitler type character with dark hair that fell into his face when ranting and a black mustache.  Of course this Hitler is a Kosher Hollywood caricature of Hitler which is the insane, ape man Hitler who spits when he talks and is repulsive in every way. The Hollywood crowd (who consist of non-Jews as well) can never tolerate any sort of positive human qualities being associated with Hitler.  They can’t even show Hitler as a complicated character with good and bad qualities.  For this bunch it’s always the extreme narrative of Hitler having sex with animals and using human feces for lubricants.  This must come out of fear?  When Jews get scared (especially over Hitler, or Nationalists, or Fascists, or Nazis) their fight-or-flight response causes them to create a sick and depraved narrative about the people who represent the ideas or entities that scare them. An HBO series on the rise of Hitler would probably be one of the most watched television shows of all time?  I can only speculate but they must be afraid people will find something interesting, or intriguing, or even inspirational about the rise Hitler or the Nazis?

Steve “the drunk” (Hitler) Fields was a strong orator and when we first meet him in the series we find him inciting a crowd of men to beat a county commissioner and then (as described above) tar a black character who calls himself “the little nigger general.”  Steve was regularly seen/heard redirecting the dissatisfaction of his own life onto the blacks in camp.  He had no friends in the camp and was even caught having a sexual encounter with the sheriff’s horse.  There were even some signs that he may have been a pedophile?  When he first saw the sheriff’s son he made a strange comment about the boy being “beautiful” (this is a strange thing to think or say regarding an 11 year old boy).  When he got a break in life (when he bought the livery via loan from the bank) he still messed his life up by getting kicked in the head by a horse.   Besides being a Kosher Hitler character, Steve the Drunk is also the “angry white man who always fails” character that is regularly presented in films made by anti-White “Jewish persons” in Hollywood.  One of the major roles of the Jewish faction of the globalist elite is the production and maintenance of the “Culture of Critique” as described by Dr. Kevin MacDonald (1). A large part of this “Culture of Critique” is the programming of the White masses to see White Guilt as a high virtue and any sort of pro-European or pro-White views as a great sin (while non-White and Jewish ethnocentrism is encouraged and celebrated).  You don’t see Jewish influence in media depicted in Deadwood, but there’s only so much you can do with one Jewish character.

Another interesting aspect of Deadwood is the modern geopolitical insight.  The White Rabbit discusses the separate factions in China.  Deadwood’s “chink’s ally” is a representation of China and the war between its two factions that we’re likely to see if and when World War III starts (2).  In Deadwood Mr. Wu fought against Mr. Lee.  Lee had connections to fraternal Chinese organizations.  The second season finale climaxes with a war between the two factions for China (Chink’s ally).  This scene depicted a Freemasonic “killing of the king” ritual.  The “King” Mr. Lee was killed by Wu and “three craftsmen who weren’t blamed for nuthin” (Dan Dority, Silas Adams, Johnny Burns).  This war between China’s factions has been predicted by the White Rabbit and is depicted in Deadwood.  We need to look for this if and when WWIII starts (2).

The character Cy Toliver is also worth discussing.  Toliver on the base level of the show is Al’s cross town rival (owner of the higher-end Bella Union).  He’s purely about the money and political control.  Today he would probably be golf partners with the writers of the Wall Street Journal opinion page?  He’s a big business Republican.  He riles up the town folk against government and has his underlings rile up racialist discourse against the Chinese (although the current GOP mostly riles up anti-Muslim discourse, it’s their job to do this when globalist elites need it for the run up to a war).  Toliver becomes a born again Christian after being stabbed in the gut, but his Christianity is just another racket (think Pat Robertson or John Hagee).  He helped import Chinese labor and Chinese whores to the town, which resembles the high GOP leadership and their involvement with mass immigration from Mexico.  He’s a prefect representation of the American Conservative Republican leadership (“Respectable Conservatives” as described by Bob Whitaker…see my Blog roll).  It should be pointed out however that Toliver still obeys Al’s orders when it comes to maintaining order in the camp.  Just as the GOP is controlled opposition for Middle America, Toliver is never really Al’s opposition.  They attend the same planning meetings (like Bilderberg) behind closed doors but then act as rivals outside.  This doesn’t mean Toliver likes taking orders from Al, but this is how it is.  Al walks through a doorway after Toliver (conveying that Al has more power).

After Al’s medical problems subsided and an understanding was come to by Al (Satan) and Sheriff Bullock (American power), it looked like smooth sailing for the Anglo-American-Judeo Elite in attaining their global government?  However, there was an outside threat to the building of their global temple that on Deadwood’s base level was represented by the Pinkerton Company and Mrs. Ellsworth’s in-laws (The Garrets).  The Pinkerton Company was a private security company (that still exists today) that in the late 1800’s would get contracted by wealthy entities to help with “disputes.”  These “disputes” usually came in the form of local town people trying to organize unions or independent cattlemen “free grazing” on cattle baron land.  Mrs. Ellsworth’s in-laws (The Garrets) were a wealthy New York  family that wanted back the gold claim that was owned by their son Bram Garret before his death (Alma Garret-Ellsworth attained the gold claim after Bram Garret’s death).

In Deadwood’s esoteric narrative the Pinkertons represent the Nazis and Mrs. Ellsworth’s in-laws represent the German elites.  The Pinkertons and Mrs. Alma Ellsworth’s ex-husband’s family (the Garrets) worked together to try to obtain “the Queen’s” gold.  The real Queen of England is related to the German royal families.  In fact, the Windsor family changed their name to Windsor because the old name sounded “too German” (from Saxe-Coburg-Gotha).

The first mention of the Pinkerton’s was early in the first season when Alma’s husband Bram Garret threw around their name to threaten Al.  It was then that Al first expresses how much he hates the Pinkerton’s. Al claims that the Pinkerton’s are “muscle for the bosses.”  I suspect that the devil would hate the Nazis seeing that the Nazis furnished the biggest challenge to the Anglo-American-Judeo-Illuminati New World Order?  This was so during WWII but may have been so after the war as well?  The White Rabbit has forwarded the possibility that the Nazis may have survived WWII “on some level” and may be the only thing (since 1945) keeping the world from falling under total control of the Anglo-American-Judeo Elite?

{This is a shocking revelation!  The Nazis, the group we hear/see demonized more than any group in history may be the only thing keeping the world from being under the total control of the Anglo-American-Judeo Elite’s Boot?  Legend has it that they’ve been working covertly since 1945, monkey wrenching the NWO ?  Could this be WHY THEY ARE the most demonized group in history? During their activities post WWII they are sometimes known as the “Nazi International”(3).  The White Rabbit is very explicit in his belief in the existence of this organization.   He actually says “he knows” that the Nazi International exists on “some level.”  This author still needs more evidence before confirming the “Nazi International’s” existence.  But Deadwood does fit as the author’s definition of “more evidence.”  I’ll digress and return to the review}

The first actual clash that Al has with the Pinkerton’s (Nazis) in Deadwood is when a spy was sent in to try to pin the killing of Bram Garret on his wife Mrs. Alma Garret/Ellsworth (The Queen). This would allow Mrs. Garret’s in-laws (the Germans) to take over her gold claim.   The women spy’s name was “Miss “Isringhausen.”  She used patience and sex (with Al’s underling) to get an inside meeting with Al. She tried to make a deal with Al to get him to go along with the framing of Mrs. Ellsworth (The Queen), which would see him richer by $50,000 (and allow the Queen’s in-laws [The German elites] to take over her gold claim).  However, Al refuses to work with the Nazi spy and turns the table on her forcing her to have to leave town after failing to meet her objective of pinning the death of Bram Garrett on Mrs. Alma “the Queen” Garret-Ellsworth.

These Nazi-Pinkerton’s are also depicted in “ugly white man” style.  In one scene a white man who looks like a monkey himself (who is a Nazi-Pinkerton) harasses “the little nigger general” as the “little nigger general” went to vote, by making monkey sounds at him (in this scene the Deputy Charlie Utter stops this harassment in a show of righteousness).  The Pinkertons also knocked the Chinaman “Mr. Wu” into the mud while calling him “hop lee.”  They shot at unarmed women, beat the newspaper man, and scared and intimidated the population of Deadwood.  The Pinkerton’s are depicted as one would expect people of David Milch’s ilk to portray Nazis.  Their raw power is first witnessed in an intense scene where they ride into town at night by torchlight.  It was a powerful spectacle of a scene.  If the so called “Nazi International” made such a spectacle today, it would most likely be by spacecraft.  See Iron Sky (4).

Writing about the Pinkerton’s (the Nazis) and Alma’s in-laws (German elites) brings me to another character that turned out to be the true main character of Deadwood. If Al Swearengen was “God” in the first and second season of Deadwood, the true Master makes himself known to the town in the third season; George Hearst.  On the base level of the show Hearst is a captain of industry and proto fascist tyrant who will not stop until the camp is under his authority.  On the esoteric level Hearst represents an Olympian, or the “Shinning Ones.”  He’s the Father or Sky God.  He’s Odin or Zeus.  And he brings to Deadwood (the earth) his own Law that even The Devil (Al) must abide by.  Satan’s kingdom is the earth until the “God of Heaven” brings his judgment onto thee.

(1)

https://www.google.com/webhp?hl=en&tab=ww#hl=en&gs_nf=1&tok=VMJcOPPqyIPQp28dP7Zx9g&cp=13&gs_id=1e&xhr=t&q=dr.+kevin+macdonald&pf=p&sclient=psy-ab&site=webhp&source=hp&oq=dr.+kevin+mac&aq=0&aqi=g4&aql=&gs_l=&pbx=1&bav=on.2,or.r_gc.r_pw.r_cp.,cf.osb&fp=86a5c08acfe4c2b4&biw=1366&bih=600

(2)

http://www.globalresearch.ca/index.php?context=va&aid=28254

(3)

http://www.amazon.com/Nazi-International-Postwar-Control-Conflict/dp/1931882932

(4)

http://www.ironsky.net/

End of part II. Here is Part III

https://systemssymbols.wordpress.com/2012/06/03/following-the-white-rabbit-through-deadwood-part-iii/

Letter to the Bilderberg Group

Dear Bilderberg Group,

I was recently examining your list of participants for the 2011 meeting (1).  The thing that stuck out at me as I read was the lack of diversity in your participants.  I thought this may have been an anomaly so I also examined prior participant lists (2).  To my shock these lists too showed a disapointing lack of diversity.   Particularly I point to the lack of Africans, Mestizos, Amerindians, and gay, lesbian, and transgendered people.   This greatly confounded me as it is your globalist pig-dog foundations who proudly fund pro-immgration groups for the purpose of flooding White countries with immigrants from the “developing world.”  For instance Sean Lengell of the Washington Post reports that:

The Ford Foundation, the Carnegie Corporation and Democratic activist George Soros were among the liberal funders that have donated millions of dollars to pro-immigration groups, as the Senate continued its debate on a contentious bill that would overhaul the nation’s immigration policy.

Three of the nation’s biggest and most influential pro-immigration groups — the National Immigration Forum, the Mexican American Legal Defense and Educational Fund (MALDEF) and the National Council of La Raza (NCLR) — collectively received more than $3.25 million from Ford Foundation since 2005. (3)

It appears that “diversity is strength” only when it applies to non-global elite spaces?  Globalist elite spaces are VERY, VERY White (and Jewish).  I wonder why anti-White cowards like Chris Matthews haven’t reported this?  Coward Chris Mathews has no problem pointing out the “whiteness” of the Tea Party movement.  But for some reason he doesn’t point out the “race problem” relating your group?  In fact, I’d be surprised if coward Chris Matthews has mentioned your group at all?

I also wonder where all the big “civil rights” and “anti-racist” activists are regarding this issue?  Why isn’t Jesse Jackson or Al Sharpton outraged about this lack of inclusion?  Why isn’t the anti-White, genocidal maniac (4) Tim Wise not railing against this?   Why aren’t the anti-White, leftist stooges who use terrorist tactics against American Renaissance meetings (thus denying Amren freedom of speech and association) not conducting “demonstrations of solidarity” against Bilderberg?  The answer is simple: So called “anti-racism” is actually a code for anti-White.

So since the above mentioned anti-white cowards won’t bring attention to Bilderberg’s lack of diversity, I guess it’s my duty to do so.  That is why I, the creator/writer for Snout Smack offers his services to bring diversity to Bilderberg.  I wish to be hired by your organization as “Director of Diversity.”  My demographic goals for the 2012 meeting (In Virginia) are as follows: 12% African, 14% Mestizo Latino (no cheating by using White Latinos), 5% Asian, 1% Amerindian, 3% Muslim, and 3% gay, lesbian, and transgendered people (at least one participant should be transgendered and this person should share a room with David Rockefeller).

I served in your globalist wars in the Middle East and the Balkans and have a master’s degree so my international experience and education should be adequate.  My salary needs are negotiable.  Please leave a comment and email address on how I can contact you or contact one of your spy organizations to get my phone number.

I just want the opportunity to help your organization experience the “joys of diversity” that you force on the rest of us.

sincerely,

Snout Smack

(1) http://www.bilderbergmeetings.org/participants_2011.html

(2) http://en.wikipedia.org/wiki/List_of_Bilderberg_participants

(3) The 2007 Sean Langell Washington Post article requires a subscription so here’s a reprint:  http://www.godlikeproductions.com/forum1/message399702/pg1

(4) http://amren.com/oldnews/archives/2010/11/an_open_letter_2.php

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