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Archive for the month “May, 2012”

Following the White Rabbit through Deadwood part II

As I made clear in part I, Al is the most important character in the first two seasons of Deadwood.  It is critical that the reader understand the importance of Al.  During the Season I finale Al not only order’s a rival’s murder (by Silas Adams) but kills a minister out of mercy.  The minister was suffering from “fits” and most likely had a tumor in his brain.  In a remarkable sequence at the end of season one, the doctor is seen in his cabin praying to God to end the suffering of the minister.  Al is then seen suffocating the minister in the whore’s quarters at the Gem saloon after he agreed that the Gem could be used to care for the minister (after the doctor’s insistence).  Al brings the minister’s body back to the doctor and the doctor thanks “God” for answering his prayers.  Later, after the doctor performs a medical procedure on AL (for kidney stones) he collapses onto Al and thanks “God”  for “saving him.”

It was said during the bonus features that Melville claimed that the best scenes are about the exact opposite of what you think they’re about.  This method of scene creation was utilized throughout the series.  Sometimes the last sentence or word in a scene would be the meaning or theme of the subsequent scene. The student of Deadwood must watch every scene carefully to observe its esoteric narrative.  Watching Deadwood is like reading a complicated text in philosophy or literature , in that it requires an active participation and serious concentration.   However, like all mediums for learning the mysteries of the Universe, it only reveals what those who participate are ready to see and understand.  I will now cover some subthemes and other characters on the show.

Deadwood is full of interesting sub-themes.  Many of these sub-themes deal with human nature and human behavior.  The writers do an effective job at showing the imperfections and ironies of all the characters.  Al is shown giving ironic lectures to his whores on how life “is one vile task after another.”  This is ironic because the whores live this fact every day (literally!)?  Hypocrisy is written very cleverly into the story. I noticed many of the characters judging someone for an action and then blatantly committing these same acts later.

Another entertaining sub-theme is the relationship between superiors and their subordinates. Al would rebuke Mayor EB Farnum and later Farnum would abuse his cook & cleaning man Richardson.  Al would punch his loyal (but slow minded) subordinate (Johnny Burns) in the face and then Burns would get into the face of the saloon’s lowest ranking man “Davey.”

Vice, greed, human passions (anger, lust, Love), needs of the ego, fear, dishonesty, selfishness all were written about effectively in Deadwood. The writers/creator also have a good sense of humor but even the comedy could be esoteric at times. The character EB Farnum was a comedic character but also made many masonic hand signs and masonic utterances within a slapstick comedic pretext. I could write page after page on many of these subthemes.  For reasons of brevity (I’ll write more on all of these subjects in the future but not for this main review), I’ll discuss only one such sub-theme in more depth.  This is the subject of race and “racism.”

Most of the people in the camp called blacks “niggers” and Chinese “chinks” but this wasn’t necessarily a sign of “racism” as the modern unthinking American masses are socialized to understand the word. The most honorable people in the camp (Bullock,Charlie Utter, Doc Cochran, Calamity Jane (Jane cared for the sick people and animals)) were the most “tolerant” but some of these  same characters may have used the word “nigger” at some time during the series?  Al started relaxing his rule of making his Chinese partner walk through the back door of his Saloon.  When he was beating a man later in the show, one of his reasons for beating him was that he “scared that Chinese” with their horses.  The viewer is suppose to feel good as Satan is meting out justice on one of the racist men who knocked the Chinese guy in the mud.  After Bullock fought and killed an Indian that attacked him he’s seen later showing extreme remorse over the killing  in which he’s practically in tears.  He gets all “emo” over the terrible guilt he feels after insulting the Black livery owner “Hosteler,” when he shows little remorse over the other people he’s insulted or even beaten to near death.  Bullock also get righteous while stopping a group of white men from taring a black man. This scene was meant to shock and outrage the viewer at first when the whites were taring the black man but then feel relieved when “anti-racist” Bullock gets there to save him.  The major programming purpose of the subject of race in Deadwood is to convey that the most upright people were also the most “anti-racist.”     Jews (and other anti-Whites in Hollywood) like to present White Guilt and “anti-racism” (which is really just a code for anti-White) as the most positive qualities that a White gentile can have.

Of course at the same time, the most repulsive people in the camp were the most “racist.”  The coward Jack McCall was seen slanting his eyes at the Chinese in camp before shooting Wild Bill Hickok. The ugliest whore in the Gem Saloon (who mocked the handicapped minister) showed her displeasure regarding Chinamen walking through the saloon’s front door.  The scumbag opium addict who worked for Cy Toliver was an anti-Chinese agitator and murdered two Chinese men for neferous reasons.   One of the most repugnant characters was the character “Steve the drunk.”  Steve would go on long tirades about “the niggers” or “justice for the white man” and was styled as a Hitler type character with dark hair that fell into his face when ranting and a black mustache.  Of course this Hitler is a Kosher Hollywood caricature of Hitler which is the insane, ape man Hitler who spits when he talks and is repulsive in every way. The Hollywood crowd (who consist of non-Jews as well) can never tolerate any sort of positive human qualities being associated with Hitler.  They can’t even show Hitler as a complicated character with good and bad qualities.  For this bunch it’s always the extreme narrative of Hitler having sex with animals and using human feces for lubricants.  This must come out of fear?  When Jews get scared (especially over Hitler, or Nationalists, or Fascists, or Nazis) their fight-or-flight response causes them to create a sick and depraved narrative about the people who represent the ideas or entities that scare them. An HBO series on the rise of Hitler would probably be one of the most watched television shows of all time?  I can only speculate but they must be afraid people will find something interesting, or intriguing, or even inspirational about the rise Hitler or the Nazis?

Steve “the drunk” (Hitler) Fields was a strong orator and when we first meet him in the series we find him inciting a crowd of men to beat a county commissioner and then (as described above) tar a black character who calls himself “the little nigger general.”  Steve was regularly seen/heard redirecting the dissatisfaction of his own life onto the blacks in camp.  He had no friends in the camp and was even caught having a sexual encounter with the sheriff’s horse.  There were even some signs that he may have been a pedophile?  When he first saw the sheriff’s son he made a strange comment about the boy being “beautiful” (this is a strange thing to think or say regarding an 11 year old boy).  When he got a break in life (when he bought the livery via loan from the bank) he still messed his life up by getting kicked in the head by a horse.   Besides being a Kosher Hitler character, Steve the Drunk is also the “angry white man who always fails” character that is regularly presented in films made by anti-White “Jewish persons” in Hollywood.  One of the major roles of the Jewish faction of the globalist elite is the production and maintenance of the “Culture of Critique” as described by Dr. Kevin MacDonald (1). A large part of this “Culture of Critique” is the programming of the White masses to see White Guilt as a high virtue and any sort of pro-European or pro-White views as a great sin (while non-White and Jewish ethnocentrism is encouraged and celebrated).  You don’t see Jewish influence in media depicted in Deadwood, but there’s only so much you can do with one Jewish character.

Another interesting aspect of Deadwood is the modern geopolitical insight.  The White Rabbit discusses the separate factions in China.  Deadwood’s “chink’s ally” is a representation of China and the war between its two factions that we’re likely to see if and when World War III starts (2).  In Deadwood Mr. Wu fought against Mr. Lee.  Lee had connections to fraternal Chinese organizations.  The second season finale climaxes with a war between the two factions for China (Chink’s ally).  This scene depicted a Freemasonic “killing of the king” ritual.  The “King” Mr. Lee was killed by Wu and “three craftsmen who weren’t blamed for nuthin” (Dan Dority, Silas Adams, Johnny Burns).  This war between China’s factions has been predicted by the White Rabbit and is depicted in Deadwood.  We need to look for this if and when WWIII starts (2).

The character Cy Toliver is also worth discussing.  Toliver on the base level of the show is Al’s cross town rival (owner of the higher-end Bella Union).  He’s purely about the money and political control.  Today he would probably be golf partners with the writers of the Wall Street Journal opinion page?  He’s a big business Republican.  He riles up the town folk against government and has his underlings rile up racialist discourse against the Chinese (although the current GOP mostly riles up anti-Muslim discourse, it’s their job to do this when globalist elites need it for the run up to a war).  Toliver becomes a born again Christian after being stabbed in the gut, but his Christianity is just another racket (think Pat Robertson or John Hagee).  He helped import Chinese labor and Chinese whores to the town, which resembles the high GOP leadership and their involvement with mass immigration from Mexico.  He’s a prefect representation of the American Conservative Republican leadership (“Respectable Conservatives” as described by Bob Whitaker…see my Blog roll).  It should be pointed out however that Toliver still obeys Al’s orders when it comes to maintaining order in the camp.  Just as the GOP is controlled opposition for Middle America, Toliver is never really Al’s opposition.  They attend the same planning meetings (like Bilderberg) behind closed doors but then act as rivals outside.  This doesn’t mean Toliver likes taking orders from Al, but this is how it is.  Al walks through a doorway after Toliver (conveying that Al has more power).

After Al’s medical problems subsided and an understanding was come to by Al (Satan) and Sheriff Bullock (American power), it looked like smooth sailing for the Anglo-American-Judeo Elite in attaining their global government?  However, there was an outside threat to the building of their global temple that on Deadwood’s base level was represented by the Pinkerton Company and Mrs. Ellsworth’s in-laws (The Garrets).  The Pinkerton Company was a private security company (that still exists today) that in the late 1800’s would get contracted by wealthy entities to help with “disputes.”  These “disputes” usually came in the form of local town people trying to organize unions or independent cattlemen “free grazing” on cattle baron land.  Mrs. Ellsworth’s in-laws (The Garrets) were a wealthy New York  family that wanted back the gold claim that was owned by their son Bram Garret before his death (Alma Garret-Ellsworth attained the gold claim after Bram Garret’s death).

In Deadwood’s esoteric narrative the Pinkertons represent the Nazis and Mrs. Ellsworth’s in-laws represent the German elites.  The Pinkertons and Mrs. Alma Ellsworth’s ex-husband’s family (the Garrets) worked together to try to obtain “the Queen’s” gold.  The real Queen of England is related to the German royal families.  In fact, the Windsor family changed their name to Windsor because the old name sounded “too German” (from Saxe-Coburg-Gotha).

The first mention of the Pinkerton’s was early in the first season when Alma’s husband Bram Garret threw around their name to threaten Al.  It was then that Al first expresses how much he hates the Pinkerton’s. Al claims that the Pinkerton’s are “muscle for the bosses.”  I suspect that the devil would hate the Nazis seeing that the Nazis furnished the biggest challenge to the Anglo-American-Judeo-Illuminati New World Order?  This was so during WWII but may have been so after the war as well?  The White Rabbit has forwarded the possibility that the Nazis may have survived WWII “on some level” and may be the only thing (since 1945) keeping the world from falling under total control of the Anglo-American-Judeo Elite?

{This is a shocking revelation!  The Nazis, the group we hear/see demonized more than any group in history may be the only thing keeping the world from being under the total control of the Anglo-American-Judeo Elite’s Boot?  Legend has it that they’ve been working covertly since 1945, monkey wrenching the NWO ?  Could this be WHY THEY ARE the most demonized group in history? During their activities post WWII they are sometimes known as the “Nazi International”(3).  The White Rabbit is very explicit in his belief in the existence of this organization.   He actually says “he knows” that the Nazi International exists on “some level.”  This author still needs more evidence before confirming the “Nazi International’s” existence.  But Deadwood does fit as the author’s definition of “more evidence.”  I’ll digress and return to the review}

The first actual clash that Al has with the Pinkerton’s (Nazis) in Deadwood is when a spy was sent in to try to pin the killing of Bram Garret on his wife Mrs. Alma Garret/Ellsworth (The Queen). This would allow Mrs. Garret’s in-laws (the Germans) to take over her gold claim.   The women spy’s name was “Miss “Isringhausen.”  She used patience and sex (with Al’s underling) to get an inside meeting with Al. She tried to make a deal with Al to get him to go along with the framing of Mrs. Ellsworth (The Queen), which would see him richer by $50,000 (and allow the Queen’s in-laws [The German elites] to take over her gold claim).  However, Al refuses to work with the Nazi spy and turns the table on her forcing her to have to leave town after failing to meet her objective of pinning the death of Bram Garrett on Mrs. Alma “the Queen” Garret-Ellsworth.

These Nazi-Pinkerton’s are also depicted in “ugly white man” style.  In one scene a white man who looks like a monkey himself (who is a Nazi-Pinkerton) harasses “the little nigger general” as the “little nigger general” went to vote, by making monkey sounds at him (in this scene the Deputy Charlie Utter stops this harassment in a show of righteousness).  The Pinkertons also knocked the Chinaman “Mr. Wu” into the mud while calling him “hop lee.”  They shot at unarmed women, beat the newspaper man, and scared and intimidated the population of Deadwood.  The Pinkerton’s are depicted as one would expect people of David Milch’s ilk to portray Nazis.  Their raw power is first witnessed in an intense scene where they ride into town at night by torchlight.  It was a powerful spectacle of a scene.  If the so called “Nazi International” made such a spectacle today, it would most likely be by spacecraft.  See Iron Sky (4).

Writing about the Pinkerton’s (the Nazis) and Alma’s in-laws (German elites) brings me to another character that turned out to be the true main character of Deadwood. If Al Swearengen was “God” in the first and second season of Deadwood, the true Master makes himself known to the town in the third season; George Hearst.  On the base level of the show Hearst is a captain of industry and proto fascist tyrant who will not stop until the camp is under his authority.  On the esoteric level Hearst represents an Olympian, or the “Shinning Ones.”  He’s the Father or Sky God.  He’s Odin or Zeus.  And he brings to Deadwood (the earth) his own Law that even The Devil (Al) must abide by.  Satan’s kingdom is the earth until the “God of Heaven” brings his judgment onto thee.





End of part II. Here is Part III

Following the White Rabbit through Deadwood part I

Deadwood was an HBO series that aired in the mid 2000’s. The story takes place in the late 1870’s and is based on the South Dakota mining camp/town in the Black Hills.  There are many reviews on Deadwood that analyze it purely as a “Western” that can be found on the internet.  This layer of the show is interesting and entertaining, but is intended mostly for the masses entertainment pleasure.  Only a more learned individual can “see” the more esoteric narrative.  I was able to unlock Deadwood’s deeper layers by being a regular listener of White Rabbit radio, and then by studying the subjects, direction, and sources that the White Rabbit presented.

Deadwood is the story about the Anglo-American-Judeo Elite’s (some may call this entity the “Illuminati”) attempt at building global government (The New World Order).  The creator of the show explained in the bonus features that one of the major themes for Deadwood was “Order out of Chaos.”  This is one of the rallying calls for the globalist elite and Deadwood itself is representative of the world in which they are attempting to subdue.  There is one character in Deadwood who best brings Order out of Chaos and that is Al Swearengen.  Al was an actual historical figure in the real Deadwood but the show’s writers took a lot of artistic liberty with him (as they did with all the characters).  While Al was a saloon operator and town string puller on the show’s base level, he was clearly the globalist elite’s God “Satan” (aka Marduk/Hades/Set/The Red Hippo) on the deeper, esoteric level.  Seen in many scenes with scales on his office desk, Al is the giver of the law (symbolized by the star of Saturn aka “The Star of David).   In an episode in the third season the town’s mayor screams “call the law” as he is beat on by the town’s sheriff .  The “law” that arrives to stop the beating is Al. The sheriff himself was just an instrument of the law, but the real law giver was Al. Many times the show’s cameras would flash onto Al while other characters spoke of “God,” or “the Lord,” or the “giver of the law” in a seemingly unrelated dialog (Deadwood used this camera/dialog trick at other times as well).  Al is the main character.  Deadwood is a tribute to Enki/Marduk/Hades/Set/Satan/The Devil, but there are 3 other critical characters.

The Sheriff of the town was Seth Bullock.  Bullock was a representation of the American faction of the global elite and also American military power.  Satan (Al) uses the youth and strength America (Bullock) provides as law enforcer for his NWO.  Bullock wore the Star of Saturn (aka Star of David) on his chest which was a symbol of his authority. This symbol is a Jewish and Freemasonic symbol and can also be found in the executive seal of the U.S. Just as America appeared to become the world’s law enforcer with hesitations, Bullock became sheriff of Deadwood with his own hesitations.

The next critical character is Sol Star.  Star is Jewish and represents the Jewish faction of the globalist elite.  Star is one of the show’s most wise, level headed and mentally adjusted characters.  The show’s writers balance this with classic “anti-Semitic” (meaning anti-Jewish) stereotypes.  On several occasions Star made reference to his father’s death-bed sayings and these sayings usually had something to do with advancing commerce.  Star was always thinking about business and profit.  But he also acted as Bullock’s therapist (in a Freudian role) and was chief banker of the Deadwood bank.  Star was very much like a Rothschild type Jew.  Just as Rothschild managed/manages the of the Queen of England’s holdings, Star was the chief banker for the next character.

The third main pillar in the show’s main cast was Mrs. Ellsworth/Garret.  She is representative of Anglo-aristocrats.  More specifically she’s like the Queen of England.  Mrs. Ellsworth was the owner of biggest gold claim in Deadwood and her gold deposits capitalized the Bank of Deadwood (Run by “Rothschild” type Jew Sol Star).  She’s an elegant women that displayed a certain regal beauty with high Victorian manners.  There’s a camouflaged  masonic compass and square design on her front door, which may be symbolic of “her majesty’s” authority over and authority to charter masonic fraternal organizations?

These three characters represent the major entities of the Anglo-American-Judeo Elite.  They work under the eye of Satan/Set (Al watching from his veranda) to bring “order out of chaos” to Deadwood (the earth).  The show’s heart was Al’s “Gem Saloon.”  The Gem was the base of operations where Swearengen organized from (in some ways a symbol of America itself).  The town’s elders held meetings in the Gem and Al clearly led the meetings.  At these meetings were all the major players that one would see at modern globalist planning meetings such as Bilderberg:  The news media (the newspaper man AW Merrick). The scientific community (Doc Cochran).  Force/Security (Sheriff Bullock).  Big Finance (Sol Star).  Freemason Leadership (Tom Nuttall, who always wears an apron). Big business (Cy Toliver).  Logistics (Charlie Utter). Political stooges (Mayor E.B. Farnum, Harry Manning). Entertainment media (Jack Langrishe the theater man).

The show is full of masonic symbols, rituals, and hand signs.  Bullock got hit on the head with an Indian club and when he opened his eyes he sees the sun while being helped up by “a master.”   This was a depiction of the 3rd degree masonic ritual where the candidate is “killed” like Hirim Abiff with a maul and then raised up to see the light.  After Bullock went through this ritual it was commented later on that he looked like he “changed.”  This is sometimes said to people after being through metaphysical rituals.   Other Masonic/Illuminati hand signs and symbols seen throughout the series include “distress” and “astonishment” ( best done by EB Farnum), the OK 666 sign (done by Johnny Burns to AL), the “hail Satan” horned hand (done by EB Farnum to AL), pyramid symbol and square and compass made with hands, and various camera shots shot through duel pillars (Jachin and Boaz). The common people in Deadwood are referred to as “hoopleheads” by the show’s main characters.  The term “hooplehead” in Deadwood should be understood as the terms “goyim” or “profane” are understood in Judaism and Freemasonry respectively.  I  will write more on this subject (masonic influence) later in the review,as these references are placed throughout the series.

The Gem Saloon was the site of the trial of Jack McCall (the coward who killed Wild Bill Hickok).  Al had determined that a guilty verdict for McCall may hurt the camp politically by giving the impression that it was trying to be a separatist state with its own laws.  So Al explained to the judge that McCall couldn’t be guilty.  When the judge returned to the courtroom we get an interesting camera sequence.  It moves from the judge’s one eye, to Mr. Ellsworth rubbing his eye, to Al giving the thumbs up, to one of Al’s lieutenant (Dan Dority)  explaining to Al that Ellsworth is “four square “ behind them (for letting Jack McCall off not guilty).  This use of one eye is a masonic/Illuminati symbol (1) and was a great scene showing how the law really operates for the globalist elites.  They’ll talk about “Justice” and “Law” all day long but the only law that matters to them is that which brings global government.  After the trial Al walks up to McCall and tells him to leave his bar or else.  McCall says “Jack McCall runs from no man” but then runs out of the place. The point was that Al is not a man; he’s a “God.”

When Al becomes sick in the beginning of season 2, the Gem and the Camp’s main inhabitants are somewhat lost without the light of Lucifer guiding them.  Dan Dority tells the whore Trixie that before Al, he “was a creature walking on hind legs.”  This is a reference to the “lantern barer” bringing civilization to mankind (and removing humankind from it’s pre-civilized, animal-like state).  The White Rabbit has opined on how the Old Testament God always makes you kill for him before you become one of his “chosen people.”  In the Season I finale Al got his newest employee (Silas Adams) to kill the magistrate/judge that was trying to shake him down.  The end of Season I ends with Al standing in victorious watch over his saloon with a lantern shining on close by.


Part II

Deadwood:Prelude to a Review.

If you Follow the White Rabbit (see my blogroll) you realize that the possibilities for the Universe are endless. One possibility is the idea that current humans may be the legacy of a prior high civilization.  One possible narrative in this direction is that there was a “cosmic war” fought between two sides of the ruling pantheon of this former high civilization.  This war may have led to the destruction of the civilization, including human settlements on other planets in this solar system?  The beings who populated this high civilization are usually remembered to be Nordic or White or “Aryan,” however, all sorts of other creatures are mentioned in the mythology as being in possible contact or involved with these White beings (such as cybernetic grey aliens, reptilians, A.I., long headed cranium beings,  Neanderthal hybrids, etc..).

Making matters even more profound is the idea that some of the members of one side of this warring pantheon may still be on earth?  These beings would have a Godlike advantage over most of humanity in knowledge.  These beings may also be controlling the current Anglo-American-Judeo Globalist Elite (also known as the Illuminati)?  The devil might actually be on earth as an actual alien being!?  The current globalist elites might be bound to this devil by contract or even blood?  There may even be more than one devil?  Satan may have “a crew” (other beings from his side of the pantheon) on earth trying to build the New World Order?  This sounds bizarre and unbelievable, but is it any more bizarre than what Evangelical Christians believe regarding “the Rapture” and/or their other eschatologies?

The White Rabbit also informs us to the possibility that Nazism may have survived WWII as an organizing principle with people still organizing by it!  IOW, the Nazi bureaucratic structure may have survived “on some level” as the White Rabbit likes to say.  This “level” could be as far out there as separate Nazi civilizations out in the galaxy?  At the very least it appears these Nazis may have had a major hand in stalling the Anglo-American-Judeo Globalist Elite’s New World Order (regardless of if an alien being is calling the shots or not)?  In fact, the “Cold War” may have been the result of Nazis playing their former adversaries against each other?

The Nazis in their mastery of certain alternative forms of physics may have also alerted other Beings in the galaxy (the Beings on the other side of the pantheon than the ones currently controling the globalist elites)?  These Beings would be the Gods from Greek, or Northern European mythology (Zeus, Thor, Freya).  But they also show up in American Indian, Mesopotamian, Hindu, Meso-American, Egyptian, and Tibetan mythologies.  These “White Gods” may be returning to earth to give Lucifer’s crew (the generation of vipers) a beating like in the Book of Revelation?  These White God Beings will likely have Level 2 or 3 civilizational capabilities technologically (1), but more important, would have the knowledge to illuminate us on many of our questions of the universe.  Humankind might be stuck in the middle of a war between two sides of an ancient pantheon with the Illuminati and Nazis serving as these being’s human proxies [with the Illuminati on the side of Satan (on earth) and the Nazis on the side of Zeus (coming to earth)]!?  Does this sound unbelievably bizarre?  Yes! But I say again, is it anymore bizarre than what most Evangelical Christians or Muslims believe?

The current global elites appear to organize under the Old Testament God (whether or not this “God” is real or just an idea really doesn’t matter, because regardless of what you believe, they do believe in this and take it very serious to the point where they actually believe they have the “Architect of the Universe” on their side)? Freemasonry, Kabbalism, the Old Testament and the Talmud appear to be the critical symbolic, psychological, spiritual, mythological, and philosophical inputs for the current globalist elites.  These may be the devil’s operating systems (or dark arts) which are used to program his adepts into a frame of mind and spirit that best fits with the devil’s goals for this earth?

This doesn’t mean there isn’t a lot of fascinating knowledge in Freemasonry and Kabbilism for gaining insight into what some call the “mysteries.”  Fraternal organizations in themselves are not a bad idea.  There should be people who ponder ideas of “Justice”, “Truth”, “Law”, who think about the nature of reality, and who work for the “amelioration of mankind.”  But just because you proclaim these principles does not mean you’re necessarily living them or “squared away” yourself.  Unfortunately, many of the people who proclaim “fraternity,”  “equality,” and “liberty” (and don’t forget “Love”) tend to be some of the biggest tyrants and haters.  It is a great sin against the Universe to use these activities as pretext for carrying out the New World Order program (aka global governance with the rest of humankind “chiseled” to fit as a bricks in the NWO pyramid wall).

The White Rabbit definitely delivers on spreading insight into the Universe’s mysteries.  He is a critical source of information, perspectives, and speculations (futurism) for this author regarding day-to-day news, geopolitical analysis, economic & financial insights, alternative research, and the fight against White Genocide and the NWO.  But In gathering intelligence on any subject or group you next need to find collaborating sources/evidence.  One place to look for collaborating evidence is in art.  A movie series like Star Wars is based on Mesopotamian mythology and may be truer than we can imagine?  Artists are used by the globalist elites to get out the NWO narrative, frame, and memes.  Art is used to help shape the minds of the “profane” masses into understanding the world as the globalist bosses see fit.  Intelligence organizations and fraternal organizations (which at “some level” is a redundancy) have a large presence in Hollywood.   They not only want to gather information, but also want to produce it.

HBO’s series “Deadwood” (created by David Milch) is one of the best pieces of collaborating evidence I’ve seen thus far for confirming the major ideas expressed by the White Rabbit.  My next post (or several posts) will be a review of Deadwood using a White Rabbit “frame.”  By the end of my review you should not only want to see Deadwood, but more importantly, should be intrigued enough to follow the White Rabbit.  I highly recommend you do so if you want cutting edge information at the intersection of geopolitics, alternative research, and the struggle against White genocide/New World Order.

This review should be out no later than the evening of 5-23-12.  If it’s not, pray for my immortal soul because I will have faced some mishap.  If for some reason I don’t live to share this review, listen to each Follow the White Rabbit radio show 10 times and then watch the complete Deadwood series 30 times.  More importantly you should subscribe to Follow the White Rabbit (2).  If you have an open mind, The White Rabbit WILL change your understanding of the Universe.

[Note 5-23-12:  I’m still working on the review (but thank you for your prayers).  I took a lot of notes and am trying to condense the information.  I should be done with part I by the 25th of May.  Sorry for the Delay.]



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